Symphonova™ is a pioneering force at the forefront of the current revolution in music creation.
Using technologies we develop, we inspire audiences with orchestral works they can’t experience anywhere else, enable composers to free their imagination and empower conductors with new tools for working with complex scores.
We create orchestral experiences our audiences can’t find anywhere else, performing new works envisioned for Symphonova’s unique capabilities, and promoting high quality but forgotten repertoire.
Symphonova specialises in making high quality orchestral recordings of concert repertoire and for media.
The MicroSymphonova conducting system empowers conductors with a revolutionary tool to rehearse the most complex scores.
Symphonova technologies include two hardware technologies for sound quality and two software for creating musical expression. A synergistic combination of these enabling technologies endow Symphonova’s conductor and musicians with power to control and shape in real-time the authentic sound and musical expression of a full-sized Symphony orchestra. Depending on the size of the venue and the musical context, we use either the MicroSymphonova or the Symphonova Orchestra.
Abi Boatright is an associate performing arts producer at the Waterford Old Town Hall, as well as a film associate for Double Bit Productions Ltd. Abi, is also a student at Queen’s University specializing in Media and Performance Production.
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Abigail Dolan is co-founder and CEO of Symphonova, bringing to the project her leadership skills, background in performance studies and extensive experience as a concert flautist.
Abigail received her PhD from King’s College London. Her research examines musical performance from both a historical and cognitive perspective. Her work has been awarded the AVI Fellowship and the Edison Fellowship of the British Library Sound Archive.
Abigail founded and served as Artistic Director of the Intimate Engagements chamber-music concert series at Clare Hall, Cambridge University. She was elected a Fellow Commoner in recognition of her outstanding contributions to the College life.
Abigail has performed solo and in chamber music ensembles at international festivals and concert venues worldwide. Her discography includes French repertoire programmes (Selena label), Michael Wolpe’s flute concerto (Memus publication) and works by composers Andre Hajdu and Yinam Leef. Concerto performances include Nielsen’s concerto and her arrangement for flute of Mendelssohn’s violin concerto (the Symphonova Orchestra), Partos’ flute concerto (Jerusalem Symphony Orchestra) and Ben-Haim’s Divertimento Concertante (Kaprizma Ensemble). Her repertoire extends from classical concerti and chamber works to today’s music, with an increasing number of pieces written for and dedicated to her.
Born in Montreal in 1960, Shelley Katz has a multifaceted career in the music industry as a musician, inventor, and entrepreneur. Known for his innovative contributions as a music technologist and incredible musicianship, Shelley has gained a reputation worldwide for his performances as a pianist and conductor, as well as for his expertise in sound reproduction, gestural control of artificial systems and the design of virtual acoustic systems.
Shelley Katz’s professional musical journey began with his graduation from the Julliard School. He then honed his conducting skills working as solorepetitor at the Deutsche Oper am Rhein and conductor of the Duisburg Studio Orchestra. Furthering his career, Shelley served as a conductor and Studienleiter at the Theater der Stadt Koblenz and the Staatstheater Mainz.
As a pianist, Shelley performed regularly and recorded with some of the world’s most acclaimed singers, including Jochen Kowalski, Gwyneth Jones and the tenor Nikolai Gedda, with whom he toured Europe for three years. His recordings can be found on Deutsche Grammophone, Capriccio, Somm Recordings, and Koch/Schwann among others. He has performed as an accompanist and in chamber music concerts at leading festivals and venues worldwide, including Wigmore Hall in London, Musikverein in Vienna, the Deutsche Oper in Berlin, Carnegie Hall in New York, Concertgebouw in Amsterdam, and Suntory Hall in Tokyo.
As a music technologist, Shelley is the author of numerous granted patents and inventor of the innovative Symphonova system. He also designed the highly-acclaimed Podium Sound loudspeakers, which are the only audiophile-quality, passive flat-panel loudspeakers in the world. His academic pursuits led him to earn his Ph.D. (Tonmeister) from the University of Surrey, where he researched the cognition of musical expression.
As an entrepreneur, Shelley founded Symphonova UK Ltd and Podium Sound Ltd, where he is co-founder, artistic director, and managing director respectively.
Shelley is a Former Fellow at Wolfson College, University of Cambridge, and also Former Musician in Residence (Queen’s University – Canada).
Goran Tchubrilo is fascinated by Symphonova’s unique concept of integrating musicians with the most recent developments in music technology, as well as by the new opportunities that open-up to composers, performers, and in the concert arena in general. He was trained as a composer at the University of Music and Performing Arts Graz in Austria. In 2005 he started his training in sample based music production, with Vienna Symphonic Library as his main (but not only) area of interest. He is also the author and lecturer of the Art of VSL, an online learning platform for VSL libraries and software.