Symphonova’s customised Symphonova Virtual Acoustic System™ (SVAS™) has been installed into the prestigious Lindsay Hall, the main multi-purpose venue at Eastcastle Place, Milwaukee, Wisconsin.
The dedicated SVAS includes Symphonova’s proprietary variable acoustics, sound-reinforcement and technology specifically tailored to support people who use hearing-assistive devices.
Symphonova Virtual Acoustic System™ (SVAS™) will be installed at Clare Hall, Cambridge University, UK. The system will be inaugurated with a pre-concert talk by Shelley Katz, followed by a Symphonova concert on 20 January 2018.
Symphonova Versatile Acoustic System™partners with Dirac Research, the global leader in platform audio technology.
Pierre Blaise, Director
Shelley Katz, composition and sound effects
Symphonova collaborates with Théâtre Sans Toit in a new version of La Princesse Maleine with original music composed by Shelley Katz and performed by flautist Abigail Dolan. The hall acoustics is transformed, orchestral sound effects and a cello sounding through Symphonova Instrumental Loudspeaker transform Maeterlinck’s play into a visual and sonic fantasy.
Symphonova’s customised Symphonova Virtual Acoustic System™ (SVAS™) has been installed into the prestigious Lindsay Hall, the main multi-purpose venue at Eastcastle Place, Milwaukee, Wisconsin.
The dedicated SVAS includes Symphonova’s proprietary variable acoustics, sound-reinforcement and technology specifically tailored to support people who use hearing-assistive devices.
Symphonova Virtual Acoustic System™ (SVAS™) will be installed at Clare Hall, Cambridge University, UK. The system will be inaugurated with a pre-concert talk by Shelley Katz, followed by a Symphonova concert on 20 January 2018.
Symphonova Versatile Acoustic System™partners with Dirac Research, the global leader in platform audio technology.
Pierre Blaise, Director
Shelley Katz, composition and sound effects
Symphonova collaborates with Théâtre Sans Toit in a new version of La Princesse Maleine with original music composed by Shelley Katz and performed by flautist Abigail Dolan. The hall acoustics is transformed, orchestral sound effects and a cello sounding through Symphonova Instrumental Loudspeaker transform Maeterlinck’s play into a visual and sonic fantasy.
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